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Monika Bartyzel

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Girls on Film: Sparkly Vamps, Sweaty Wolves & Skin Flicks

Filed under: Fandom, Movie Marketing, Girls on Film



I had a whole other topic prepared for this week's Girls on Film, but to follow that plan would ignore the large, sparkling elephant in the room. I'm sorry, but I've got to write about New Moon. I'd been planning to hit a screening sometime mid-week -- a nice and early matinee that would free me from the headaches of super-excited fans under 18 (which goes for any cinematic fandom for the pre-to-teen lot ... Harry Potter? egads...).

But then I read Eugene's aside in his weekly Box Office report: "Along these lines, I wonder if the egregious objectification of men in New Moon's marketing campaign is a victory for feminism. I vote yes." While I don't equate my feminism with show-me-yours-too ideology, it brings up a really good point that really hadn't occurred to me before: Twilight isn't just a rampant fangirl phenomenon of pent up adolescent and homemaker lust. It's a female skin flick for the younger set, both in marketing and execution.

And no one seems to know how to react to that.

Exclusive: Title Track for 'The Road' Soundtrack

Filed under: Drama, Music & Musicals, New Releases, Fandom, Home Entertainment

Cinematical has just received the following title track for Nick Cave and Warren Ellis' original and haunting film score for The Road. It's simple and chilling -- just as any accompaniment to a post-apocalyptic world should be -- full of violin and piano tunes, some wind instruments and sound loops. The soundtrack is being released digitally today over at Amazon, with further digital retailers tomorrow and a CD release to follow on January 12, 2010.

We first alerted you to the score back in March, and then to the duo's Soundtrack Collection in September. As you might have gathered, some of us are big Cave & Ellis fans. And rightly so. They provided an award-winning score for John Hillcoat's earlier feature The Proposition (which Cave also wrote), and also scored The Assassination of Jesse James by the Coward Robert Ford. And of course, that's besides their work in Nick Cave and the Bad Seeds, which has memorable cinematic ties to Wings of Desire (before Ellis teamed up with Cave).

Too often these days it's easy to get pulled out of movies due to overly imposing and grandoise film scores desperately trying to yank at emotions, rather than just lightly coaxing the right feel for a particular scene, and Cave and Ellis definitely know how to let simplicity reign. Check out the clip and track list after the jump and grab it over here at Amazon.

What a Surprise: 'The Howling' Gets a Remake

Filed under: Horror, Deals, Scripts, Remakes and Sequels

What a complete non-surprise! Now that New Moon is raking in the cash, and doing what very little it can for the werewolves of the world, the vamps are gearing up for some further sharp-toothed competition. Variety reports that The Howling will return to the big screen by the hands of indie producers Joel Kastelberg and Etchie Stroh under the name The Howling: Reborn. Since it's been over three years since we first heard rumors of a remake, my guess is that this is a whole new can of worms.

A former marketing executive for studios like MGM and New Line, Joe Nimziki wrote the script and will direct it when the feature starts shooting this February. Once that's all done, they're hoping to get this howler into theaters for Halloween. The plot is being kept under wraps, but the original followed a TV newswoman who goes on a retreat after an ordeal with a serial killer, only to be thrust into a world of vampires werewolves.

Now here's where I say this is a missed opportunity. It's inevitable that each old-school horror flick will get rebooted. But why not try to up the ante, or at least insert wow-factor? We've seen the increased interest in Elm Street since Jackie Earle Haley took over, and that's a pretty mainstream franchise. Now imagine what The Howling could be if they coerced John Sayles into writing it again -- maybe not to be campy like the first, but a well-written piece of horror. That man is a pro at taking characters and situations and spinning an intricate web, so imagine if he intermingled his indie talents with his old-school horror ways. At the very least, it'd make the project immediately buzz worthy to a larger audience.

As it stands, do you want more Howling?

Free Flick of the Day: The Doom Generation

Filed under: Home Entertainment

The '90s were a good time to be a teen -- especially if you were itching for more than just the mainstream. Nestled between the John Hughes '80s and the bubbly Disney '00s, the '90s were a time when teen films thrived in tunes-led rebellion. It wasn't all about spunky mainstream music marketing and bubbly personalities. Scores and strangeness got to go a little wild, and Gregg Araki ran with that idea when he made The Doom Generation.

Dubbed Araki's "heterosexual movie," the film starred then-newcomer Rose McGowan as Amy Blue, a tough-as-nails, filthy-mouthed, self-proclaimed virgin in love with one Jordan White (James Duval). Their rather mundane lives are thrown through the ringer when they help out a strange boy named Xavier (Johnathan Schaech), who leads them through an insane road trip of unintended violence. A trip, mind you, that showcases a slew of names from all walks of life -- Skinny Puppy (band), Margaret Cho, Dustin Nguyen (21 Jump Street), Heidi Fleiss (the Hollywood madam), Perry Farrell (Janes Addiction), Parker Posey, Nicky Katt (Dazed and Confused), Zak Spears and Rex Chandler (gay adult film stars), Christopher Knight (Brady Bunch), Lauren Tewes (The Love Boat)...

It is, however, a film spliced in tone. The first three quarters are violent, black comedy, while the last third makes the violence personal as the trio faces off against Neo-Nazis -- a rather apt juxtaposition between pulpy imaginary thrills and violence laced with a sense of reality.

Get dark with The Doom Generation now on SlashControl!

Mike White Starts a Santa Claus Civil War

Filed under: Comedy, Deals, Scripts

Not pleased with the likes of our latest serving of A Christmas Carol? Want a little more originality served with your ho-ho-ho's? This might be the answer: Variety reports that Paramount Pictures has tapped Mike White to write the script for a new comedy called Santa Wars. Oh yes, it's just like you'd imagine.

This project will follow the story of two rival factions that emerged within a group of professional Kris Kringles, and how they "became arch enemies during a Santa Claus civil war." And I should probably point out -- this concept is based on a true story. It all stems from a segment on Ira Glass' radio show This American Life, which aired last December and talked about how two professional Santas formed the Amalgamated Order of Real Bearded Santas, only to become bitter rivals.

Talk about picking the perfect pen. White is the writer of all things weird, whether that be with creepy stalkers, transcript trouble, discontent with mundane life, rock 'n' roll classes, strange wrasslers, or dog obsession. Furthermore, he's jumped back and forth between mainstream and edgy indies, which means the potential for a film that will appeal to more than just the casual, family fare moviegoer. Let's just hope Paramount ignores this year's strange release schedules (Valentine's Day in the summer, Christmas before Thanskgiving) and serves this puppy up during the right season.

Forbes Determines Hollywood's Most Overpaid Actors

Filed under: Celebrities and Controversy, Box Office

Just the other day, I tackled the notion of whether A-List actors were becoming an endangered species. Now Forbes is adding to the celebrities woes with a list of Hollywood's 10 Most Overpaid Stars. Their criteria for the list: Look at the 100 biggest stars who have starred in at least 3 flicks opening in more than 500 theaters in the last 5 years, and calculate a return-on-investment by dividing total operating income on the 3 movies by the actor's total compensation (salaries and sales earnings).

So, who could possibly end up on such a list? Hazard a guess? Well, here are some hints. The 10-spot actor, who has the biggest earnings for his pay, earns an average of $8.62 for every $1 paid, while the worst offender skyrocketed to the #1 spot with a pretty big flop this year, earning only $3.29 for every buck paid. Some of the names in the middle are quite expected, especially Tom Cruise and Eddie Murphy, the former still dealing with image issues, and the latter found out that his silly-comedy formula isn't working like it used to. Also, there is one lone woman on the list, but this actress might be a little hard to guess.

Considering the previous post and some of the names on this list, I think we might be seeing a big decrease in star-power pay over the next few years. But for now ... Who's the least-bad investment, the worst, and the woman? Can you figure out the names in-between? Take a stab and then check out the list after the jump

Robert Pattinson to Star With Uma Thurman in 'Bel Ami'

Filed under: Drama, Romance, Casting



The rumor mill was buzzing earlier this month with news that Nicole Kidman was going to, once again, go for the younger guy and star opposite Robert Pattinson in the adaptation of Guy De Maupassant's Bel Ami. While it turns out that Kidman is not taking the project on, another famous blonde is. The Hollywood Reporter posts that Uma Thurman will star opposite Pattinson, and Kristin Scott Thomas has also joined the roster.

The film will star Pattinson as George Duroy, an aspiring journalist who finds his success by bedding many of Paris' rich and powerful women. Thurman will play Mme Forestier, the married woman who sparks his ascension and later marries him, while Thomas comes into the picture as "a socialite who falls for Duroy, becoming clingy in the process."

Now, much has been said, or argued, about Pattinson's talents as an actor, and I'd say this will be the ultimate test -- whether he can hold his own against Thurman and Thomas. Pattinson won't be able to hide behind sparkles or quirky, mustachioed mannerisms this time around! Both have considerable talents, although Thurman in particular is long overdue for some meaty and buzz-worthy dramatic fare (it's also about time she got into some retro wordy romance as well, a la Henry and June). The drama will shoot next year in Paris.

What Makes a Real Vampire?

Filed under: Fandom



The Twilight Saga has whipped up a frantic fervor in fangirls, opening doors to female fandom while sticking incessant and neverending thorns in the folks who want Bella and Edward to go far, far away. But it's also brought up a pretty interesting argument: What makes a vampire? I teased about the notion yesterday when I wrote about the Daybreakers PSA; however, can we really define what makes a vampire beyond sharp teeth and a thirst for blood? And if we can, what is necessary and what can be finagled?

Vampires have been around forever in some shape or form, flying through the worlds of folklore and darkness before shuffling into their modern guise of pale, 19th century blood drinkers. In 1819, John William Polidori presented The Vampyre ushering in this idea of the mysterious man entering high society, seducing young women with vampiric charm. "In spite of the deadly hue of his face, which never gained a wanner tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection." From then on, no lady was ever safe.

Robert Downey Jr. Wants to Retire?

Filed under: Celebrities and Controversy, Fandom, Newsstand

Retire. I am starting to hate that word in Hollywood. Most of the time it doesn't mean what it suggests. Retirement means ending work, maybe taking on a side gig if you really need to or are really bored, but for the most part, it's ending life in the workforce and enjoying a life of leisure. In cinema, however, it seems to be anyone who is taking a break from the biz. Luc Besson's "retired," as is Sean Connery. Now ... Robert Downey Jr.?

The ever popular actor has told Entertainment Weekly that he might quit acting. "I've never had it this good -- this is my day in the sun -- and I certainly don't want to look a gift horse in the molars. But [my wife] Susan and I want to begin to be in our lives as much as we are in our jobs. I'd love just to sit here and say, 'What movie's playing tonight?' I'd love to finish the new book about D-day I'm reading. I love painting, I love music." And if you can get through that without your gut falling out in dread: "But here's the thing: I can only be a guy on a call sheet probably, I don't know, maybe a couple more times. It's something I'm so grateful to have in my palm, and yet I already see its inevitable decay."

He does leave room for hope by saying: "If Sherlock Holmes performs well, I could be busy for the next 5 or 7 or 10 years." But who knows whether that's just him appeasing potential fan backlash, dread at the thought of never catching a break, feeling uncertain in his career, or some other reason altogether. But if it's true and does happen, I shudder to think of Hollywood without his talent.

Get Ready to See 'Agora' Early Next Year

Filed under: Deals, Distribution

There's nothing better than the times when you get to blog about good news, and I hope this is just another spoke in a continual cycle: Variety reports that Newmarket Films -- the peeps who handled The Passion of the Christ -- has scored the U.S. rights to Alejandro Amenabar's Agora, and plan to release the film during the first half of next year. This is the second '09 TIFF film they've nabbed, the first being Creation, although I have no idea what would lead them to the much chastised Darwin pick before Rachel Weisz and Hypatia.

As I mentioned in October, the film was a big, expensive risk, but seemed to be paying off. In four days, it earned the best opening weekend for 2009, over $10 million, and the second best opening in Spain ever. Now, it still holds onto the number one spot, and according to Box Office Mojo, has earned a healthy $16,698,345.

But it cost roughly $73 million, so there's still work to be done, which shouldn't be very hard for the U.S. market. $55 mil? We can do that! Really. Start planning now. It's well worth your time, whether you love historical epics, truly gorgeous filmmaking, cerebral cinema, or smart girls on the big screen. Go see it! Pretty please?
 
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